| Resumé: Elsbeth Willhite |
Film |
| American Apparel Spec Spot | Principle | Aaron Wade |
| Pier 1 Loyalty Program | Principle | Karen Johnson |
| Andolini’s Office | Principle | Adrian Santiago, Project Black Studios |
| The Last Reunion | Beth | Tommy Kissell, UTD |
| Lucky Stroke | Principle | Joelle Depeyrot |
Theatre |
| Play | Role | Theatre / Festival |
| Crazed, Caged Rage! | Melinda Tissue | Hip Pocket Theatre |
| A Wisepecker Christmas | Lolly Pop | Hip Pocket Theatre |
| Square One | Myself | The Lillian Theatre |
| Cry Havoc | Grace | The Charles Jehlinger Theatre |
| A Medley of Favorites | Elphaba | The Charles Jehlinger Theatre |
| What the Hell is Sheryl Crow Singing About? | Myself | Studio 2D |
| Alone At the Beach | Chris | The Bungalow |
| Good-bye My Fancy | Clarisse | The Bungalow |
| Women Behind Bars | Louise | Studio 2D |
| Twelve Angry Women | Juror 6 | Basement Black Box |
| A Night at the Theater/Theatre | Stage Manager | Thad Smotherman Theatre |
| Grease | Chorus Member | Razzle Dazzle |
Training |
| The American Academy of Dramatic Arts |
| Acting: Scott Reineger, Karen Hensel, Judith Bohannon, Mary Bleier, Donna Pescow |
| Dialect / Speech: Brenda Beck, Sandie Massie, Kennedy Brown |
| Voice: John Peck |
| Stage Combat: Brian Danner |
| Make-Up: Scott Ramp |
| Movement & Dance: Jamie Nichols, Theresa Hayes |
| Playwrighting: Debra Deliso |
| Texas Wesleyan University |
| Acting: Connie Whitt-Lambert, Jeanne Everton |
| Voice: John Hanby |
| Playwrighting: Connie Whitt-Lambert |
Special Skills |
| Dialects (including Standard American, Southern, British, Cockney, and New York Brooklyn, Mid-Western), basic stage combat and fencing techniques, singing range: alto, stage make-up (including basic, and techniques such as old age and sickness), photography, basic Jazz dance skills, basic classical dance skills (the waltz), and yoga. |
Contact
The Campbell Agency
(214) 522-8991
Email
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